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2023 HMC HISPANIC MARKET GUIDE EXPLORES INCLUSIVITY, INTERSECTIONALITY, TRUST, BINGEABILITY IN ENTERTAINMENT, MEDIA CONSUMPTION & MORE

Guide Provides a Market Intelligence Roadmap & Connects Brands with Hispanic Marketing Experts

The Hispanic Marketing Council (HMC) has released its highly anticipated 2023 Hispanic Market Guide, the most comprehensive resource on the U.S. Hispanic market featuring top trends, business-building insights, up-to-date market data as well as in-depth reports on the proliferation of Hispanic-focused audio and the disruptive power of Hispanic creativity. Latinos are driving a cultural and demographic transformation as the U.S. heads towards a multicultural majority—already a reality for people under 35. With $2.8 trillion in Hispanic buying power, there are deep implications for marketers who must lead with cultural insights to create effective and relevant campaigns that connect with today’s multicultural mainstream. This new publication, geared towards newcomer and veteran brands alike, is available to view online or download for free.

The HMC 2023 Hispanic Market Guide is the authoritative source for identifying companies with trusted Hispanic marketing expertise. This guide not only serves as a valuable resource for marketers, but it also includes the top trends in Hispanic marketing, research and insights from Nielsen, Kantar and Latino Donor Collaborative, and, for the third year in a row, a profile on effective Hispanic creative by Círculo Creativo USA, the only nonprofit organization dedicated to supporting creativity in the U.S. Hispanic advertising market. For the first time, the HMC 2023 Hispanic Market Guide includes a report by the Radio + Television Business Report on the plentiful audio and radio choices targeting Latinos, including live and local programming to on-demand podcasts.

“If U.S. Latinos were a standalone economy, we would constitute the fifth largest and fastest growing GDP in the world, just behind the U.S., China, Japan and Germany. Those are the numbers that marketers cannot ignore,” said HMC Chair Isabella Sanchez, vice president of media integration at Zubi. “This is the only resource of its kind to help organizations align their Hispanic marketing strategies, find the right partners, ensure their investment levels and platform distributions are in sync, and ultimately grow their market share in this increasingly multicultural environment.”

Highlights include:

  • Advertising, media and marketing companies vetted by the HMC that specialize in the Hispanic market.

  • Key advertiser and agency relationships, sectors and contacts.

  • Impactful economic data and key opportunities.

  • Top trends for marketers, including the complex relationship between storylines, inclusivity, media platforms and trust; the right way to implement DEI; how inclusivity drives bingeability in entertainment; how to approach intersectionality in advertising and much more.

  • Comprehensive demographic, marketing and media information—including a comprehensive report on radio and audio by Radio + Television Business Report.

  • A profile on key Hispanic advertising campaigns featuring creative disruption as multicultural expression.

The HMC 2023 Hispanic Market Guide is available at hispanicmarketingcouncil.org/hispanic-market-guide/.

2022 HMC Hispanic Market Guide Explores Hispanic Diversity, Cultural Blind Spots, Inclusive Advertising & Media Consumption

2022 Hmc Hispanic Market Guide Explores Hispanic Diversity, Cultural Blind Spots, Inclusive Advertising & Media Consumption


Guide Connects Brands with Hispanic Marketing Experts & Provides Deep Market Intelligence

The Hispanic Marketing Council (HMC) has released its 2022 Hispanic Market Guide, the most comprehensive resource on the U.S. Hispanic market. Hispanics are impacting the multicultural mainstream at a faster pace than anticipated, shifting American culture and purchase behaviors. Brands who make continuous efforts to connect with the multicultural market are seeing results that demonstrate the economic power of Hispanics. This new publication, geared towards newcomer and veteran brands alike, is available to view online or download for free.

The HMC 2022 Hispanic Market Guide is the authoritative source for identifying companies with trusted Hispanic marketing expertise. This guide not only serves as a valuable resource for marketers, but it also includes the top trends in Hispanic marketing, research and insights from Kantar and Nielsen, and a profile on effective Hispanic creative by Círculo Creativo USA, the only nonprofit organization dedicated to supporting creativity in the U.S. Hispanic advertising market.

“Hispanic buying power is projected to increase 150 percent to $2.6 trillion by 2025, making Hispanics the most formidable growth opportunity,” said HMC Chair Gonzalo Del Fa, president of GroupM Multicultural. “This is the guide to earmark as organizations analyze their marketing spend, distribution, strategies and partnerships. We are now, and the opportunity is now.”

Highlights include:

  • Advertising, media and marketing companies vetted by the HMC that specialize in the Hispanic market.

  • Key advertiser and agency relationships, sectors and contacts.

  • Top trends for marketers, including the diversity within Hispanics, cultural blind spots in entertainment and marketing, inclusive casting vs portrayal in advertising, and much more.

  • Comprehensive demographic, marketing and media information.

  • A profile on key Hispanic advertising campaigns and the power of simple ideas.

The HMC 2022 Hispanic Market Guide is available at hispanicmarketingcouncil.org/hispanic-market-guide/. For more information, visit hispanicmarketingcouncil.org and follow the HMC on Facebook, Instagram, and Twitter at @hmchispanic.

Mental Health in the Creative Industry

Mental Health in the Creative Industry.

Those of us in the advertising industry are aware that the job means constant pressure. Every day, we must demonstrate that we have the talent and skills necessary to solve the creative problems that come across our desks. And our work is always subject to scrutiny, approval, and the opinions of many during the entire creation and production process. This causes intense stress that can threaten our mental health.

At Círculo Creativo USA, we’ve taken the initiative and done something about it, since it’s a problem that affects us all: We’ve created a series of webinars featuring advertising creatives from different generations along with specialists in the topic to start an open, honest conversation about the problem.

After the three chats we held in the webinars and sharing opinions with colleagues from several different agencies (both Hispanic and General Market), we realized that the deterioration of mental health in our industry comes from two main causes:


A systemic problem:

The sheer volume of projects that land on our desks every day is larger than the amount of time to solve them. This imbalance raises worker stress levels and creates a never-ending snowball effect.
So how can we change our processes so there’s a more human and realistic balance between objectives and time?


A cultural problem:

Even though this industry considers creativity to be a collaborative process, there is a large number of companies with individualistic, competitive cultures. Asking for help or saying “I can’t” is seen as a weakness and efficiency failure.

How can we encourage collaboration and a method of acknowledgment that are more focused on team achievements instead of individual achievements?
How can we establish a culture that allows “asking for help” without being ignored or judged? How can we encourage the practice of empathy in agency leadership?


The following suggestions or recommendations come from these two realities:

  • Set up a system in which each team has a maximum number of simultaneous projects to handle. And a backup plan in case the clients’ requirements go beyond that number.

  • Create the flexibility to rotate the work teams to different projects and clients to create a balance between those who may be overloaded with work and those who have more time.

  • Urgency has become the norm and the important part of many opportunities is being suffocated by urgency. Finding a balance in due dates that gives the team room to breathe, research and create in an atmosphere that doesn’t escalate daily stress levels related to time can help reduce anxiety, depression, and burnout.

  • Creatives frequently say that they spend all day in meetings and then they must think of ideas on their own time. We suggest a change in the way meetings are run, whether that’s by defining the hours when meetings can be held or redesigning group communication so as to better leverage the group’s potential.

  • Company leaders and directors can plant the seeds of a collaborative climate in which people feel free to ask for help and create mechanisms for times when reinforcements are needed, whether that’s with internal agency resources or external resources.

  • Implement measures to promote a climate of confidence and freedom in which every member of the team has the flexibility to manage their time and energy according to the objectives and establish clear, realistic deadlines.

  • When people understand what the project is and when they have to deliver it, the level of anxiety, one of the major causes of stress in our industry, goes down considerably.

  • Encourage employees to pursue personal activities they are passionate about, which helps lower stress and enrich their creative perspective.

  • Provide professional help for employees’ mental health, whether that’s a full-time staff position or someone external, who the employees can consult when they feel their mental health has been compromised.

  • We could continue suggesting a thousand other ways to help or eliminate the problem, but each agency is unique with its own processes, resources, and ideologies.

In the end, the most important recommendation, especially for leaders, is to use EMPATHY in every decision and action to be implemented by the team.

People are the most important resource in the industry. Let’s take care of them.

Let’s remember that the main tool used in the advertising industry is the mind.

If we can maintain a good balance between daily pressure and collaborative work environments, activities that nurture creativity and personal peace of mind, our industry will be increasingly productive, creative, and surprising, with less waste and a better utilization of everyone’s potential.


Check out what they said:

ALMA
Going into year two of WFH, alma was one of the first agencies to decide not to return to the office until 2022. To help everyone take the breaks they needed from the constant stream of video conference calls, we introduced Spring Fridays to all employees, ultimately extending the policy through the end of the year. And to encourage employees to truly take time for themselves, we closed “our offices” for the entire week of Thanksgiving and for half of December, while offering each employee a $200 wellness stipend.

Agency culture is better with alma. It’s the source of our success, inspiration, and motivation to not only be better for our clients, but to be better for each other.

Luis Miguel Messianu, Creative Chairman, Chief Executive Officer


LERMA/

At LERMA/ we connect with our team members at a personal level. If anybody has any problems related to health, family, or any type, we help and assist with whatever we can. We support them beyond a working relationship. We are people first.

Aldo Quevedo, Chief Creative Officer


CASANOVA//MCCANN

Our team’s wellbeing is our priority number one. We have tried to keep our team mentally healthy and motivated by different means:

First, by leadership being constantly open and reaching out to individual employees to check how they’re doing and see if they need anything. We have had virtual townhalls regularly, where everybody can express opinions, concerns and ask questions. Flexibility has been key to preserve mental wellbeing, especially for married couples with kids who had to suddenly become teacher’s helpers and 24-hour-aday caregivers while they were working. We have tried to accommodate all those needs and be as flexible as possible, trying to make it as easy as we can for parents or caregivers.
Also, to promote communication and interaction, almost immediately after starting to work from home, we organized virtual events and fun stuff like virtual happy hours in the afternoons, virtual cooking classes at lunchtime to promote taking time to eat and disconnect at least for an hour.

We have also been doing virtual cafecito breaks, a 15- or 20-minute Teams chat between three team members that may not work together directly that often, or new employees that have not been in the office physically yet.

Elías Weinstock, EVP Chief Creative Officer


OGILVY MIAMI

At Ogilvy we’ll be doing our part to make mental health care a reality and a priority for all our people across our network with a global initiative called “Reach Out and Recharge.” The aim is to encourage employees to reach out to others for help or to provide support to others, and to provide time for our people to recharge in whatever way they choose.

Chany D’Amelio, VP Creative Services


DIESTE

Celebrating mental health in our industry and shining a light on it is a wonderful thing to do… Healthy, happy creatives do great work – this has always been our view at the agency. At Dieste we are very focused on personal and professional growth, wellbeing and happiness. We provide weekly, scheduled all-agency training and development sessions designed to build individual skills, improve the knowledge, and help them stay ahead of the various changes in the industry. These sessions positively affect the productivity and confidence of our creatives and other employees. We also provide other cultural events and group lunch sessions to help build teamwork and camaraderie.

There are also many other things that we do like provide Cannes creative resources, fun tools for exploration and other resources that provide the sandbox or playground that creatives yearn for for creative exploration and inspiration.

These are just a few of the things that we’re doing – there are many more…

Tony Dieste, Executive Chairman, Founder


FLUENT360

So, there are few things we’ve been doing.

This is obvious but we fully embraced taking mental health days to make sure that people are maintaining a great attitude and take time to rest.

Our CEO bought everyone in the agency a 1-year subscription to the Calm app.

When major tragedies occur that affect the multicultural segment, for example the George Floyd protests, we took a full day to discuss how to work and move forward in this environment together and made sure we had support. 94% of our staff is diverse so you can imagine it was tough to see all that was going on and still make sure we met deadlines. It’s impossible. We must take time to make sure that our mental health is okay. We also created an employee resource group to help expose our employees to other cultures and values as part of our learning.

José Suaste, Executive Creative Director


ORCI

Orci has always been committed to supporting our team, but as we all know living and working through a pandemic put a different kind of pressure on all of us, so we put several things in place to support our team’s mental health. One of the most important things from our perspective is being open about this issue and ensuring people know that we are a safe space where people can bring their full selves to work. It is important that the team feels it is more than lip service, we truly believe in having a balance.

During the first months of the pandemic, we had a no-meeting rule during our lunch hour so that everyone could take a much-needed break from their computers (and Zoom!). When we are in the office, we have done massage days. But one of the most significant things we have implemented is a program called HeartMath.

The HeartMath system empowers people to self-regulate their emotions and behaviors to reduce stress, increase resilience, and unlock their natural intuitive guidance for making more effective choices. This enables people to break through to greater levels of personal balance, creativity, insight, and health. It has been a wonderful tool to support mental health and strengthen many aspects of our collaboration and creativity. Born out of the training and support that we provide through the system, the team is now voluntarily getting together once or twice a week to do 15 minutes of mindfulness/meditation/breathing, which has proven to be extremely helpful to our team.

Marina Filippelli, CEO


INSPIRE

Like most agencies, we are nowhere near perfect when it comes to fostering the perfect environment for mental health. Obviously, a solid foundation is generous PTO, fair compensation, flex schedules, an agency gym and/or gym reimbursement.

We try our best to give creatives purpose and a sense of accomplishment at the individual level. Our humble POV is that when you do work for paying clients and have something good to show for it, se olvida todo lo malo.

Here are a few guides/measures we hope are working for us.

Switch up which creative directs each project, despite level, to foster individual ownership and growth. Give everyone opportunities to present their work.

Promote risk taking and failing vs. micromanaging every creative step.

More hours spent brainstorming doesn’t necessarily equate to better work. Shorter turnarounds reduce anxiety. Brainstorming for breadth and not depth of work can be mentally taxing. Quality, not quantity. Too many creatives on a project does not give a sense of ownership. Internal healthy competition is a good workout for the brain.

Again, these things may be right or wrong, but they seem to help us for now.

Jon Jaimes, Executive Creative Director


I am personally proud and honored to work in an industry with agencies who show their commitment to this cause. And again, invite you to show your support too. Write us and let us know what your leadership team is doing!

Special thanks to Virgilio Flores and Javier Osorio for planning and creating our webinars.

Flor Leibaschoff
President at Círculo Creativo USA
Group Creative Director, LERMA/

El FePI anuncia más Presidentes del Jurado para su Edición Especial 15 Años

Mientras continúa el desarrollo del Ciclo CR15 - Contenidos y Reflexiones, como parte del Programa 15 Años de FePI – 15 Semanas de Festival; el Primer Festival Internacional de la Publicidad Independiente presenta los Presidentes del Jurado para las Categorías: Gráfica, Radio y Producción de Sonido, Digital, Campañas Integrales y Producción Audiovisual. 

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Alejandro Di Trolio será Presidente del Jurado en Gráfica. Alejandro tiene una amplia experiencia en agencias como Leo Burnett, BBDO Italia, MIG, Nucorpa, Territorio Creativo y Good Rebels. Es el Director Creativo Ejecutivo de Cheil Spain. En su carrera trabajó para Samsung, IKEA, Coca-Cola, Toyota, Amazon, Volkswagen, Domino's Pizza, Audi y Red Bull. Ha sido Jurado en Cannes, El Sol, Club de Creativos, El Ojo, FIAP entre otros y ha ganado premios internacionales en los principales festivales del mundo.

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En Radio y Prod. de Sonido Presidirá el Jurado Lucas Mayer, Partner & Music Director en Da House. Productor musical brasileño que ha producido bandas sonoras para publicidad y largometrajes durante 20 años. Realizó "Uncensored Playlist", proyecto musical premiado en LIA, Cannes Lions, Clio, El Ojo, D&AD. A su vez, cuenta con más de 260 premios de publicidad y música en los dos últimos años.

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Anzu Muraca será Presidenta del Jurado en la Categoría Digital. Trabaja hace 15 años haciendo estrategias de contenido y creatividad para marcas como Netflix, Spotify, Quilmes, Warner, Turner, Fox, YPF, Amazon Prime, entre otros. Lideró equipos como Digital Director en Circus BA y Madrid, y en The Juju. Hace tres años que desarrolla su carrera independiente colaborando con agencias y anunciantes de Latinoamérica y España.

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Campañas Integrales tendrá como Presidente a Cristian Rocha, Socio Fundador & CCO de Made. Trabajó para DDB, Lowe, Saatchi & Saatchi y Z Publicidad, para marcas como Jeep, Amazon, FIAT, Alfa Romeo, Coca-Cola, P&G, Dodge, Heineken, Burger King, entre otras. Ha obtenido numerosos premios en Cannes, El Sol, Wave, Ojo, FIAP, Clio y Effie. Y ha juzgado en los más importantes festivales de la industria.

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En Producción Audiovisual presidirá Camila Botero, Productora Ejecutiva de AUSTRIA, Colombia. Comenzó su carrera como productora en Bogotá y Medellín en agencias de publicidad, productoras de videoclips, productoras de publicidad. Produjo videoclips para artistas reconocidos en Colombia; y para publicidad de las marcas más representativas.

La organización reitera la invitación especial a todas la indie para que completen su Registro a través de la web oficial del FePI, a fin de estar presentes en este acontecimiento histórico. De esa manera recibirán asesoramiento personalizado, para inscribir sus materiales dentro del período que vencerá el próximo 9 de Septiembre.

Como es tradicional, el FePI contará con un Jurado Internacional compuesto por prestigiosos profesionales de la industria de la comunicación de más de 20 países, quienes evaluarán los materiales inscriptos y mediante su voto adjudicarán una histórica versión de los Premios Inodoro Pereyra – Edición Especial 15 Años.

PRODU, Círculo Creativo USA, and HMC presents the Creative Section of the HMC Hispanic Market Guide

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PRODU, el Círculo Creativo USA y HMC (Hispanic Marketing Council) presentan el Reporte Especial de Creatividad titulado: The Creativity Multicultural Agencies Show Powerful Resilience in a difficult market. 

El texto contiene las mejores campañas publicitarias hispanas de EE UU. También se destaca el poder del U.S. Hispanic Market centrado en sus insights, los cuales reflejan una realidad e idiosincrasia que, junto a su nivel de crossover cultural, ayudan a elevar el poder del mensaje de las marcas. 

El reportaje contó con la participación de las siguientes agencias: Casanova//McCann; Lopez Negrete Communications; Tippit & Moo; El Autobús; We Believers; alma; Conill; LERMA/; d expósito & Partners; Zubi; INFUSION By Castells; fluent360; BBQ Agency y Bloom.

FePI Online 2020 anuncia su Programa De Creativos y Creadores

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La 14° Edición del Primer Festival Internacional de la Publicidad Independiente presentó su Programa De Creativos y Creadores, un espacio de reflexión junto a un selecto grupo de profesionales cuyo trabajo expresa las diversas formas de la Creatividad.   

El mismo se desarrollará el jueves 29, viernes 30 y sábado 31 de octubre, mediante una plataforma de streaming y será transmitido en directo a través de YouTube y Facebook Live, con acceso libre.

Este Jueves, a partir de las 13 hs. de Argentina, estarán en la pantalla del festival: Rocío Cuadra de Only If; Rafael Barthaburu, Fundador de Sparkling y Raúl Cardós, Fundador de (anónimo) para protagonizar el Diálogo “El poder de la empatía”, moderado por Mara Fernández, Senior Director de PRODU U.S. Hispanic/Latin America.

A las 14 hs. Guido Iacobacci y Cintia Ortiz, de la agencia Xinapse hablarán de “Publicidad con Propósito”.

Luego, Lorenzo Shakespear dialogará con Mariela Lopazzo de Dopler Agencia de Diseño, acerca de “Pulsiones del Diseño”.

A las 15,20, Gabriel Redolfi, Presidente de MSR Inversiones y Desarrollos, presentará “Estrategia de marca en momento de crisis”.

A continuación desde Barcelona, José María Batalla, su fundador, presentará “La Casa de Carlota una manera gamberra de ver la creatividad”.

Posteriormente, a las 16,55 hs. Manuk Hovaghimian desde Animal Music Miami propone un recorrido por la música publicitaria titulado “Cómo cambia todo!”

Las dos últimas actividades del primer día serán:

17,45 hs. Natalia Carcavallo fundadora de Wetokers dialogando con Diego Barrazas, creador del podcast Dementes de México acerca de “Ahora más que nunca el Podcast como posibilidad”.

Y 18,40 hs., el fotógrafo y docente Juan Salvarredy con su charla “Instagram mata C.V.”

El Viernes 30 la programación comenzará a las 12 hs. de Argentina con la presencia de Quim Gil Principal & Head of Planning de LERMA. Su presentación: “Creatividad... ¿seguro?”

A las 13 hs. será el Diálogo FePI: “To Be or Not To Be Creativo” moderado por Mara Fernández de Produ, con Aldo Quevedo, Principal & ECD en LERMA; Paco Olavarrieta, CCO en d expósito & Partners y César "Checha" Agost Carreño, Fundador y CCO de Founders.

A las 14 hs. Guillermina Rosés, fundadora de Maison G, desde Barcelona hablará de “La creatividad en el Influencer Marketing”

Luego Mike Haile, Fundador y Director Ejecutivo de Haile Solutions, propondrá herramientas para resolver “El enigma de las operaciones creativas”

A las 15,40 hs. Guillermo Tornatore, Fundador & CEO de Donweb, explicará cómo adapta su compañía para sobrepasar con éxito el contexto actual en “Cómo reinventar tu negocio con éxito”.

16,30 hs. continúan Cecilia Mosto, de CIO Investigación, dialogando con Jorge Martínez, Director de Adlatina, acerca de “La reputación y la Investigación Creativa”.

El segundo día lo cerrará Paula Cordova, Founder Ontologie. Periodista y escritora, con su presentación “Cuando los poderes se legitiman”.

El sábado 31 será el día de cierre del Programa, y dará inicio a las 11 hs. de Argentina con la presentación del concept artist Pablo Romanos, analizando la mirada de los demás sobre nuestro trabajo en “Somos lo que hacemos”

A las 12 hs. desde Sao Paulo, Lucas Mayer & Iris Fuzaro; Productores Ejecutivos de DaHouse, presentarán “Uncensored Playlist, rompiendo las barreras de la censura con música”. Una respuesta inteligente y creativa para enfrentar la censura en algunos países. 

La conferencia de cierre del FePI Online 2020 estará a cargo de Fernando Vega Olmos, Fundador & CCO de PICNIC / Co Fundador de Anita&Vega

Un crudo análisis acerca de la crisis en el negocio que llamó “La Publicidad Deprimida”.

Para finalizar, a partir de las 14 hs. de Argentina, se trasmitirá la CEREMONIA DE PREMIACIÓN en directo desde Rosario. Se anuncia un Programa Especial en donde se conocerán los Ganadores de los Premios Inodoro Pereyra otorgados por el Jurado internacional del FePI en todas las Categorías.

La Edición 2020 del festival que organiza la Fundación Comunicar, se propuso como Iniciativa Solidaria Indie, ya que parte de los aranceles de inscripción han sido donados a Médicos Sin Fronteras, para su Fondo de Crisis Coronavirus.

Desde hace 14 años el FePI es la competencia más importante del sector independiente de la industria. Y este año, el aporte de participantes de 30 países, lo convierte en el único festival con un propósito realmente solidario.

The One Show - 2020 Pencils - US Hispanic Agency Winners

The One Show - 2020 Pencils - US Hispanic Agency Winners

BRANDED ENTERTAINMENT

 

Alma DDB / Miami
Experiential – Live Events
Change the Ref 3D Activist
Merit

 

 

CREATIVE USE OF DATA

 

We Believers / New York
Targeting Burger King Mexico / Global
The Traffic Jam Whopper
Gold

 

We Believers / New York
Real-Time Burger King Mexico / Global
The Traffic Jam Whopper
Silver

 

 

DESIGN

 

Republica Havas / Miami + Estudio Icone / Rio de Janeiro
Craft –Illustration
Amigos For Kids
Stop The Cycle
Merit

Scholz & Friends / Berlin + Rest of the World / Austin
Out of Home – Brand Installations
Initiative Offene Gesellschaft + Falling Walls Foundation
The Wall against Walls
Merit

 

 

DIGITAL CRAFT

 

We Believers / New York
Cross-Channel UX / UI – Digital / Physical
Burger King Mexico/Global
The Traffic Jam Whopper
Merit

 

 

DIRECT MARKETING

 

Casanova // McCann / Costa Mesa + McCann / New York + McCann Canada / Toronto
Experiential – Live Events
Donate Life California
Second Chances
Merit

 

Casanova // McCann / Costa Mesa + McCann / New York + McCann Canada / Toronto
Non-traditional & Guerrilla Marketing
Donate Life California
Second Chances
Gold

 

Casanova // McCann / Costa Mesa + McCann / New York + McCann Canada / Toronto
Innovation in Direct Marketing
Donate Life California
Second Chances
Gold

 

We Believers / New York
Out of Home – Billboards & Transit
Burger King Mexico / Global
The Traffic Jam Whopper
Bronze

 

We Believers / New York
Non-traditional & Guerrilla Marketing
Burger King Mexico / Global
The Traffic Jam Whopper
Bronze

 

We Believers / New York
Craft – Use of Technology
Burger King Mexico / Global
The Traffic Jam Whopper
Merit

 

We Believers / New York
Craft – Data-Driven Personalization
Burger King Mexico / Global
The Traffic Jam Whopper
Gold

 

We Believers / New York
Innovation in Direct Marketing
Burger King Mexico / Global
The Traffic Jam Whopper
Bronze

 

 

EXPERIENTIAL & IMMERSIVE

 

Casanova // McCann / Costa Mesa + McCann / New York + McCann Canada / Toronto
Events / Stunts / Competitions
Donate Life California
Second Chances
Bronze

 

Casanova // McCann / Costa Mesa + McCann / New York + McCann Canada / Toronto
Innovation in Experiential
Donate Life California
Second Chances
Merit

 

We Believers / New York
Craft – Use of Technology
Burger King Mexico / Global
The Traffic Jam Whopper
Merit

 

 

HEALTH, WELLNESS & PHARMA

 

Casanova // McCann / Costa Mesa + McCann / New York + McCann Canada / Toronto
Direct Marketing
Donate Life California
Second Chances
Merit

 

Casanova // McCann / Costa Mesa + McCann / New York + McCann Canada / Toronto
Out of Home – Health & Wellness
Donate Life California
Second Chances
Silver

 

Casanova // McCann / Costa Mesa + McCann / New York + McCann Canada / Toronto
Public Relations
Donate Life California
Second Chances
Silver

 

 

MOBILE

 

We Believers / New York
Utility
Burger King Mexico / Global
The Traffic Jam Whopper
Merit

 

 

OUT OF HOME

 

Casanova // McCann / Costa Mesa + McCann / New York + McCann Canada / Toronto
Innovation in Out of Home
Donate Life California
Second Chances
Gold

 

Scholz & Friends / Berlin + Rest of the World / Austin
Brand Installations
Initiative Offene Gesellschaft + Falling Walls Foundation
The Wall against Walls
Bronze

Scholz & Friends / Berlin + Rest of the World / Austin
Innovation in Out of Home
Initiative Offene Gesellschaft + Falling Walls Foundation
The Wall against Walls
Merit

We Believers / New York
Dynamic Billboards & Transit
Burger King Mexico / Global
The Traffic Jam Whopper
Bronze

 

We Believers / New York
Craft – Use of Technology
Burger King Mexico / Global
The Traffic Jam Whopper
Merit

 

We Believers / New York
Innovation in Out of Home
Burger King Mexico / Global
The Traffic Jam Whopper
Bronze

 

 

PRINT

 

Republica Havas / Miami + Estudio Icone / Rio de Janeiro
Craft – Art Direction
Amigos For Kids
Stop The Cycle
Merit

 

Republica Havas / Miami + Estudio Icone / Rio de Janeiro
Craft – Illustration
Amigos For Kids
Stop The Cycle
Merit

 

 

PUBLIC RELATIONS

 

Casanova // McCann / Costa Mesa + McCann / New York + McCann Canada / Toronto
Community Building
Donate Life California
Second Chances
Merit

 

Casanova // McCann / Costa Mesa + McCann / New York + McCann Canada / Toronto
Innovation in Public Relations
Donate Life California
Second Chances
Merit

 

CULTURAL DRIVER

Scholz & Friends / Berlin + Rest of the World / Austin
Initiative Offene Gesellschaft + Falling Walls Foundation
The Wall against Walls
Merit

 

SUSTAINABLE DEVELOPMENT PENCIL

 

Casanova // McCann / Costa Mesa + McCann / New York + McCann Canada / Toronto
Donate Life California
Second Chances
Merit

 

We Believers / New York
E6PR
Edible Six Pack Rings
Merit

 

Reset del Círculo Creativo Hispano de EE.UU.

El Círculo Creativo Hispano de EE.UU. anuncia su relanzamiento con el objetivo de elevar el nivel creativo del mercado hispano en primer lugar y ser mucho más representativo.

Dentro de los cambios que se realizarán, se eliminará la figura de Presidente para ser reemplazada por la de representantes locales en Florida, Texas, Nueva York, Illinois y California.

En los próximos días el Circulo invitará a todos sus miembros a enviar propuestas para postularse a ser elegidos en cada una de las regiones.

A su vez, también se producirán cambios en el board. En lugar de estar solo compuesto por ex presidentes, se invitará a los CCO de las agencias más grandes del mercado que hasta el momento no son parte.

El board del Circulo estará encabezado por tres Co Chairmans: Aldo Quevedo de Richards/Lerma, Gustavo Lauría de We Believers y Luis Miguel Messianu de ALMA.

 Francisco Vargas, quien se desempeña como General Manager asume nuevas funciones como Tesorero.

 

DECLARACIONES DE LOS CO-CHAIRMANS:

“Llegó el momento de ser más inclusivos que nunca, estando presentes a nivel local durante todo el año y creando herramientas que ayuden a elevar el trabajo que hacen las agencias y productoras” Gustavo Lauria, Co Chairman de Circulo y CCO de We Believers

“Estamos viviendo un momento peculiar para las agencias Multiculturales y hoy más que nunca es momento de unirnos y trabajar juntos y de manera desinteresada hacia el objetivo original del Círculo Creativo: ¡ayudar a elevar el nivel creativo y el talento de nuestras agencias! ¡Aldo, Gustavo y yo hemos trabajado mucho para que sea así y hoy estamos renovando nuestro compromiso!” Luis Miguel Messianu, Co Chairman de Circulo y CEO de Alma.

“Estados Unidos tiene una particularidad única en la región: toda la industria esta fragmentada por todo el país, no es como México, Argentina o Colombia en donde la mayoría de las agencias están concentradas en una o dos ciudades. Y por eso es muy importante que el Círculo sirva de conexión para elevar el nivel creativo” dijo Aldo Quevedo, Co Chairman del Circulo, Principal y ECD de Richards/Lerma en Dallas.

Círculo Creativo announces María “Maru’ Bernal and Norberto “Norbi” Zylberberg as new VPs

The Circulo Creativo has today announced María "Maru" Bernal, VP Creative Director at Lápiz, and Norberto "Norbi" Zylberberg, CCO & Founder at Socialisssima, as the entity’s new Vice Presidents starting in August 14th.

Maru and Norbi have been part of Circulo since 2004 and 2003 respectively, as active members of the entity. According to Ciro Sarmiento, president of Círculo Creativo and CCO of Dieste Inc. the VPs were selected based on experience in the U.S. Hispanic market, the value they bring to their agencies, businesses and clients, not to mention their extensive list of accolades over the years.

“Maru and Norbi will help us carry the vision of our organization by bringing fresh ideas that can broaden el Circulo’s activities throughout the year. Gustavo, the board and myself, we are thrilled to have them onboard for the next 2 years", says Sarmiento.

The new VPs will be working together to structure a plan of activities for 2018-2019, including training activities, recruiting new members and promoting diversity within Circulo members. They both will serve as VPs of Circulo till 2019.
 

Learn more about our new VPs: 

María "Maru" Bernal

Maria “Maru” Bernal: "I’m really excited to become a VP for the USH Creative Circle. Having the opportunity to work with people I’ve known for years, as well as with amazing new talent across all of our agencies, is priceless for me. One thing I love about our market is that we continuously evolve, but there is one thing that has remained the same: the power of our voice when we come together.

Let’s continue bringing this power everywhere we go, we have gone far already, but as Hispanics in the US., we know we can always go further."

 María Bernal (Maru) joined Lápiz / Leo Burnett in 2002 and is currently VP Creative Director for the Allstate insurance, Purina USH, Kellogg’s and UnitedHealthcare accounts at Lapiz.

Originally from Mexico, María started her career as a graphic designer and photographer, working in editorial design for Mexican magazines.

She began her advertising career about 20 years ago in a small advertising firm in Mexico City and then as an Art Director ACD at Leo Burnett Mexico working on some P&G brands as well as Kellogg’s and Phillip Morris. She was also part of the team that brought the Corona beer brand to Leo Burnett Mexico.

In 2002, Maru moves to Chicago and joins the creative department at Lapiz / Leo Burnett to work with the Disney, McDonald’s, Kellogg’s, Wrigley, Jack Daniel’s and Chase Bank brands. She became the P&G group Creative Director for the Pepto Bismol, Always, Bounty Charmin and Gain brands.

In 2005, María won the first Cannes Lion for the US Hispanic Market for the film category. Her work has also been awarded in the Radio, Print and Innovation categories at Cannes.

Her work has been recognized at D&AD, The One Show, Clio, LIA, New York Festivals, Kinsale Shark Awards, Epica, El Sol, FIAP, El Ojo de Iberoamérica, Effie Awards, Communication Arts, The Webby Awards and Lürzers Archive, among others.

Maru is a proud mom of 2 beautiful human beings and she is very thankful for her husband who has always been a huge supporter of her carrier.

 

Norbi Zylberberg

Norberto (Norbi) Zylberberg: "I’m glad to become VP  of  El Círculo Creativo and would love to work together with so many great professionals, friends and organizations with the main objective of expanding our reach, keep growing the Hispanic presence in the creative world and help shaping that "cutting edge voice" that is more needed than ever. Vayamos por más."

Norbi founded Socialisssima in Austin in September of 2016, following the trend of creative people and marketers who feel that this business is evolving like never before.

With 20+ years of experience in small, medium and large agencies in Argentina and the US, he has worked with Fortune500 Corporations, start-ups & tech, and service companies in multicultural and general markets; he has won creative awards in all major regional, national and international advertising festivals, as well as participated as lecturer and judge in places as diverse as Istanbul, Busan, Bilbao, Mexico, Miami, Madrid and Buenos Aires.

After finishing Marketing, Communications and Copywriting In Buenos Aires, he continued his education at Virginia VCU, Berlin School of Business, UCLA, HyperIsland and Georgetown University.

Convinced that social causes should be part of the DNA of every human being and corporation, he continues to push his creative efforts to aim for a better world every day. Please, don’t talk about soccer with him until Argentina wins the World Cup again.

 

Ciro Sarmiento: Conferencista de El Ojo 2017

El Ojo de Iberoamérica celebra sus primeros 20 años junto a la creatividad iberoamericana yanuncia a las brillantes mentes de la industria de la creatividad, el marketing y las comunicaciones a nivel mundial que serán parte de su destacado ciclo de conferencias, workshops y reconocimientos.

Con casi 20 años de experiencia en Estados Unidos y en Latinoamérica, Ciro Sarmiento, Chief Creative Officer de Dieste y Presidente del Círculo Creativo Hispano de Estados Unidos, es uno de los creativos más respetados de la industria. Su trabajo ha sido reconocido en los más grandes festivales del mundo y ha sido jurado en festivales de talla internacional como D&AD, Clio y El Ojo de Iberoamérica.

Inició su carrera de redactor en Ogilvy & Mather Colombia hasta liderar creativamente marcas globales como Motorola, GlaxoSmithKline y Coca-Cola. En el año 2008 regresó a Estados Unidos y trabajó en LatinWorks como Director Creativo para Bud Light, Domino’s Pizza y Skittles, fue en esta etapa donde la agencia fue reconocida por El Ojo de Iberoamérica en tres ocasiones, 2008, 2010 y 2011, por su labor creativo como responsables de las Mejores Piezas Locales para Radio y TV. En 2011, junto a Sergio Alcocer, consolidaron la agencia dentro del ranking de Ad Age al lado de agencias como Crispin Porter+Bogusky.  Y ese mismo año, Ciro logró lo que ningún creativo latino había logrado hasta la fecha: Ganar el primer León de Oro con una campaña para el mercado Hispano. De ahí los Oros se multiplicaron en El Ojo, Cannes, New York Festivals, London International Awards, entre otros, posicionando al mercado Hispano dentro del mapa de la industria publicitaria.

En 2012 se une a Leo Burnett en Chicago como Creative Director para P&G y Kellogg’s. En 2013 también recibe un arsenal de premios incluyendo el León de Cannes en la codiciada categoría Press para su cliente Procter & Gamble y en 2014 ya en Dieste recibe el galardón a Mejor Idea para el mercado hispano de Estados Unidos. Actualmente, Ciro es el Presidente del Círculo Creativo Latino en Estados Unidos y es el Chief Creative Officer de Dieste, una de las agencias Multiculturales más importantes y premiadas, con una cartera de clientes como Miller Lite, Goya Foods y AT&T, el anunciante más grande del país.

La visión de Ciro como creativo le ha permitido destacarse en el mercado americano y ser reconocido como uno de los latinos más importantes para la industria hispana de Estados Unidos. Un ingenio que le ha permitido triunfar en un mercado extranjero, este año compartirá sus experiencias como líder creativo hispano en Estados Unidos en El Ojo de Iberoamérica. Además de participar como conferencista de El Ojo de Iberoamérica, Ciro suma este año la responsabilidad de liderar a los Jurados de El Ojo Radio 2017.

A Ciro Sarmiento se le suma otro conferencista anunciado por El Ojo de Iberoamérica, Saneel Radia, Senior VP de Business Transformation para R/GA. Una mente diseñada para los negocios que compartirá sus experiencias de transformación y hablará sobre los nuevos modelos de negocios para la industria publicitaria. Los que estén interesados en conocer hacia dónde se dirige el futuro de la publicidad en la región, ya pueden adquirir sus entradas con un 30% de descuento hasta el 25 de septiembre.

2017 Cannes Lions: USA Hispanic ad agencies set a new record with 20 Lions!

2017 Cannes Lions: USA Hispanic agencies set a new record with 20 Lions!

The most Lions the U.S. Hispanic market had ever won before was 18, in 2015.

 

RANKING CANNES LIONS (USA HISPANIC)

(Final Update: Saturday, June 24, 2017 @ 4:00 pm ET) 


AGENCY
Alma DDB
We Believers
Wing
Dieste
the community
Lápiz
LatinWorks
Conill
Grupo Gallegos
O1-Agency

TOTAL

GP
-
-
-
-
-
-
-
-
-
-


0

G
2
-
-
-
-
-
-
-
-
-


2

S
4
1
-
-
1
1
-
-
-
-

7

B
4
2
2
2
-
-
1
-
-
-

11

SL
19
9
13
6
3
2
3
1
1
1

58

LIONS
10
3
2
2
1
1
1
-
-
-

20

PTS
65
20
19
12
8
7
6
1
1
1

The allocation of points used to calculate the Ranking is as follows:
12 points for a Titanium and Creative Effectiveness Grand Prix
10 points for all other Grand Prix, including Grand Prix for Good
10 points for a Titanium Lion
7 points for a Gold Lion
7 points for an Innovation Lion
7 points for a Product Design Lion
7 points for a Glass Lion
7 points for an Entertainment Lion for Music
5 points for a Silver Lion
3 points for a Bronze Lion
1 point for a shortlist position


Ranking Cannes Lions (Ibero-America)

(Last Updated: Sunday, June 25, 2017 @ 7:00 pm ET from Adlatina.com) 

COUNTRY
1) Brazil
2) Spain
3) Argentina
4) USA Hispanic
5) Colombia
6) Perú
7) México
8) Chile
9) Ecuador
10) Dominican Republic
11) Portugal
11) Costa Rica
11) Uruguay

GP
-
1
-
-

1
-
-

-
-
-
-
-
 

G
14
5
2
2
5
5
2
-
-
-
-
-
-

S
33
11
5
7
2
4
1
3
1
-
-
-
-

B
52
25
19
11
7
4
7
5
2
2
1
1
1

LIONS
99
42
26
20
15
13
10
8
3
2
1
1
1


WINNERS & SHORTLISTS

PR LIONS

GOLD LION
Alma DDB

"Spanish Lessons" - Narcos - Netflix
B14 (Content-led Engagement & Marketing)

BRONZE LION
Dieste

"LITBAITS" - THE WILD DETECTIVES - Bookstore
C07 (Innovative Use of Social Media)

Shortlist
Lápiz

"Tequila Cloud" - MEXICO TOURISM BOARD - Tourism
E02 (Territory Marketing & Communication)

Shortlist
Alma DDB

"Spanish Lessons" - Narcos - Netflix
G02 (Costs / Creative Performance PR Campaign)


Promo & Activation Lions

SILVER LION
Alma DDB

"Spanish Lessons" - Narcos - Netflix
A07 (Media & Publications)

SILVER LION
Alma DDB

"Episode Leak" - Narcos - Netflix
D03 (Use of Social Platforms)

SILVER LION
Alma DDB

"Spanish Lessons" - Narcos - Netflix
E01 (Launch / Re-launch)

SILVER LION
We Believers

"VOLVO SURVIVOR SALES AGENTS" - VOLVO NORTH MIAMI - Volvo
A04 (Cars & Automotive Products & Services)

BRONZE LION
We Believers

"VOLVO SURVIVOR SALES AGENTS" - VOLVO NORTH MIAMI - Volvo
B02 (Use of Ambient Media:  Large Scale)

SHORTLIST
We Believers

"REJECTED" - Pepsi / Burger King Argentina - PEPSI / BURGER KING
C01 (Guerrilla Marketing & Stunts)

SHORTLIST
We Believers

"VOLVO SURVIVOR SALES AGENTS" - VOLVO NORTH MIAMI - Volvo
C01 (Guerrilla Marketing & Stunts)

SHORTLIST
We Believers

"REJECTED" - Pepsi / Burger King Argentina - PEPSI / BURGER KING
E02 (Sponsorship & Partnership)

SHORTLIST
Alma DDB

"Spanish Lessons" - Narcos - Netflix
F02 (Low Budget / High Impact Campaign)


Outdoor Lions

SILVER LION
Lápiz

"Tequila Cloud" - MEXICO TOURISM BOARD - Tourism
E02 (Use of Ambient Outdoor)

BRONZE LION CAMPAIGN
Wing

"ADOLF SALVADOR & FRANCISCO PABLO" - Liga de Arte - Liga de Arte
B15 (Commercial Public Services)

SHORTLIST
Wing

"FEDERICO IOSIF" - Liga de Arte - Liga de Arte
A15 (Commercial Public Services)

SHORTLIST
We Believers

"VOLVO SURVIVOR SALES AGENTS" - VOLVO NORTH MIAMI - Volvo
D04 (Live Advertising and Events)

 

Print & Publishing Lions

SILVER LION CAMPAIGN
the community, Miami

"Lion, Dragon & Octopus" - Nutcase - Nutcase Helmets
E03 (Illustration)

SHORTLIST
Alma DDB

"MOP 1" - Clorox - Pine-Sol
A07 (Household Cleaning Products)

SHORTLIST
Alma DDB

"MOP 2" - Clorox - Pine-Sol
A07 (Household Cleaning Products)

SHORTLIST
Wing

"ADOLF SALVADOR" - Liga de Arte - Liga de Arte
A22 (Commercial Public Services)

SHORTLIST
Wing

"FRANCISCO PABLO" - Liga de Arte - Liga de Arte
A22 (Commercial Public Services)

SHORTLIST
Wing

"FEDERICO IOSIF" - Liga de Arte - Liga de Arte
A22 (Commercial Public Services)

SHORTLIST
Alma DDB

"Footshake 1" - Angel Bins - Shoe Drive Fundraiser
E05 (Photography)

SHORTLIST
Alma DDB

"Footshake 2" - Angel Bins - Shoe Drive Fundraiser
E05 (Photography)

SHORTLIST
Alma DDB

"Footshake 3" - Angel Bins - Shoe Drive Fundraiser
E05 (Photography)


CYBER LIONS

BRONZE LION
Alma DDB

"Spanish Lessons" - Narcos - Netflix
A07 (Media & Publications)

BRONZE LION
Alma DDB

"Episode Leak" - Narcos - Netflix
F06 (Innovative Use of Social or Community)

BRONZE LION
Dieste

"LITBAITS" - THE WILD DETECTIVES - Bookstore
F01 (Social Business & Commerce)

SHORTLIST
Wing

"VETS FIGHT HATE" - SOUTHERN POVERTY LAW CENTER - VETS FIGHT HATE
F02 (Social Purpose)

SHORTLIST
Wing

"VETS FIGHT HATE" - SOUTHERN POVERTY LAW CENTER - VETS FIGHT HATE
F04 (Co-Creation & User Generated Content)

SHORTLIST
Alma DDB

"Spanish Lessons" - Narcos - Netflix
F05 (Influencer / Talent)

SHORTLIST
lma DDB

"Spanish Lessons" - Narcos - Netflix
F08 (Community Building / Management)


Glass Lions

(Desert - USA Hispanic)

 

Pharma Lions

(Desert - USA Hispanic)

 

Health & Wellness Lions

(Desert - USA Hispanic)

 

Innovation Lions

(Desert - USA Hispanic)

 

Creative Data Lions

BRONZE LION
We Believers

"AI BUDDY" - Vidax Center - AI BUDDY
A05 (Data Visualisation)


Direct Lions

GOLD LION
Alma DDB

"Spanish Lessons" - Narcos - Netflix
C03 (Use of Social Platforms)

BRONZE LION
Alma DDB

"Spanish Lessons" - Narcos - Netflix
G02 (Low Budget / High Impact Campaign)

We Believers
"VOLVO SURVIVOR SALES AGENTS" - VOLVO NORTH MIAMI - Volvo
A04 (Cars & Automotive Products & Services)


Mobile Lions 

SHORTLIST
Wing

"VETS FIGHT HATE" - SOUTHERN POVERTY LAW CENTER - VETS FIGHT HATE
F08 (Social Purpose)


Design Lions

(Desert - USA Hispanic)


Product Design Lions

(Desert - USA Hispanic)


Entertainment Lions

BRONZE LION
LatinWorks

"Ponle Acento" - Major League Baseball - Major League Baseball
C03 (Brand Experience: Social)

BRONZE LION
Alma DDB

"Episode Leak" - Narcos - Netflix
C11 (Innovation in Brand Experience )

SHORTLIST
LatinWorks

"Ponle Acento" - Major League Baseball - Major League Baseball
E06 (Sports: Integrated)


Entertainment Lions For Music

SHORTLIST
Dieste

"PUT IT DOWN" - Chevrolet - Apple Sport Chevrolet
A03 (Production of Exclusive Artist Content in Partnership with a Brand)


Media Lions

SILVER LION
Alma DDB

"Spanish Lessons" - Narcos - Netflix
D03 (Use of Branded Content created for Digital or Social Media)

BRONZE LION
Wing

"THE COOKBOOK YOU CAN COOK" - Nestlé - Stouffer's
B04 (Use of Print)

SHORTLIST
Wing

"THE COOKBOOK YOU CAN COOK" - Nestlé - Stouffer's
B06 (Use of Ambient Media: Small Scale)

SHORTLIST
O1-Agency

"#100CELLPHONES" - Movistar - Cellphones
B09 (Use of Stunts)


Creative Effectiveness Lions

(Desert - USA Hispanic)


Digital Craft Lions

(Desert - USA Hispanic)


Film Lions

SHORTLIST
Grupo Gallegos

"ONE MAN BAND" - Comcast Corporation - Xfinity
A19 (Commercial Public Services)

SHORTLIST
We Believers

"REJECTED" - Pepsi/Burger King - Pepsi/Burger King
B01 (Food & Drinks)

SHORTLIST
LatinWorks

"BOY BAND" - Mars - Snickers & Hazelnut
B01 (Food & Drinks)

SHORTLIST
Conill Saatchi & Saatchi

"CLOWNS" - Toyota - Toyota Certified Used Vehicles
B04 (Cars & Automotive Products & Services)


Film Craft Lions

(Desert - USA Hispanic)


Radio Lions

SHORTLIST
Dieste

"FRIDA" - Dallas Museum of Art - Art Museum
A13 (Entertainment & Leisure)

SHORTLIST
Dieste

"RODIN" - Dallas Museum of Art - Art Museum
A13 (Entertainment & Leisure)

SHORTLIST
Dieste

"PUT IT DOWN" - Chevrolet - Apple Sport Chevrolet
B03 (Branded Content / Programming)


Integrated Lions

(Desert - USA Hispanic)


Titanium Lions

(Desert - USA Hispanic)

New York Festivals Announces 2017 Winners

New York Festivals International Advertising Awards® competition announced the 2017 award-winners at the New York Show℠ gala held at on May 18th at the renowned Jazz at Lincoln Center’s Frederick P. Rose Hall in New York City.

The combined 2017 Executive Juries awarded 8 prestigious Grand Prize Awards, 56 First Prize Awards, 155 Second Prize Awards, and 261 Third Prize Awards.


Winners - U.S. Hispanic


SECOND PRIZE AWARD
Alma DDB

"Spanish Lessons" - Netflix-Narcos
Digital (Cyber) Communications
Craft/Humor


SECOND PRIZE AWARD
Alma DDB

"Spanish Lessons" - Netflix-Narcos
Branded Entertainment
Craft/Humor


THIRD PRIZE AWARD
Alma DDB

"Spanish Lessons" - Netflix-Narcos
Digital (Cyber) Communications
Banners and Rich Media/Household Products & Services


FIRST PRIZE AWARD
Shooters Films

"Devices" - United Communities of San Antonio
Film
Film Craft/Visual Effects


FINALIST CERTIFICATE
Shooters Films

"Devices" - United Communities of San Antonio
Public Service Announcements / Communications
Film/Civic & Social Education


FINALIST CERTIFICATE
Marca Miami

"Models Wanted" - Florida Coalition Against Human Trafficking
Public Service Announcements / Communications
Digital/Promotion of Peace & Human Rights


FINALIST CERTIFICATE
Marca Miami

"Models Wanted" - Florida Coalition Against Human Trafficking
Public Service Announcements / Communications
Film/Promotion of Peace & Human Rights


FINALIST CERTIFICATE
Marca Miami

"Models Wanted" - Florida Coalition Against Human Trafficking
Best Use of Media
Public Service/Digital:Online

El FIAP 2017 se realizará del 3 al 6 de Septiembre en Buenos Aires

Un grupo inversor liderado por Rodrigo Figueroa Reyes y destacados referentes de la industria comandará el nuevo FIAP.

Rodrigo Figueroa Reyes

Rodrigo Figueroa Reyes

“La mejor creatividad iberoamericana vuelve a Buenos Aires. Vuelve el FIAP” anticipa Rodrigo Figueroa Reyes, quien asume el mando del evento a partir de este momento, encabezando a un grupo compuesto por emprendedores y destacados referentes de la industria que decidió invertir en Argentina a raíz del cambio de rumbo que se inició en el país a partir de diciembre de 2015.

El plan inmediato es a 3 años bajo la consigna “50º aniversario del FIAP” que se cumplirá en Buenos Aires en 2019 transformando el evento en lo que siempre fue: Capital de las Ideas.

El FIAP se realizará del 3 al 6 de Septiembre en la Usina del Arte, en conjunto con la Dirección General de Industrias Creativas dependiente del Ministerio de Modernización, Innovación y Tecnología de la Ciudad de Buenos Aires. Tendrá un formato totalmente renovado: el domingo 3 se recibe a los referentes de la industria con una Fiesta (F), el lunes 4 será el día de la Innovación y las startups (I), el martes 5 las conferencias para una gran Audiencia (A) y el miércoles 6 se despedirá con una entrega de Premios (P).

Manteniendo este formato simple y concreto, se estructurará en cuatro grandes catego-rías que aglutinarán todas las expresiones históricas y actuales de la comunicación iberoamericana: Formatos (F), Innovación (I), Anuncios (A) y Producción (P).

Las inscripciones de los trabajos comenzarán a recibirse a fines de mayo y serán juzgadas en una primera etapa vía online y luego de manera presencial en Buenos Aires, por destacados creativos de Iberoamérica y presididas por cuatro destacados profesionales: la estrella de la TV española Risto Meijide (Formatos), el cofundador de Globant Guibert Englebienne (Innovación), una de las figuras de la publicidad brasileña Luiz Sanches (Anuncios) y el afamado director de cine mexicano Simón Bross (Producción).

Daniel Marcet

Daniel Marcet

Cabe destacar que Daniel Marcet continúa en el directorio de la sociedad, ocupando la función de Chairman.

 

 

 

 

 

El Nuevo FIAP en síntesis:

Nuevos socios: Grupo de emprendedores que toma el control del Festival.

Nueva sede: la Usina del Arte, en la ciudad de Buenos Aires.

Nueva época del año: entre el 3 y el 6 de septiembre. Nuevo formato: cuatro días organizados de la siguiente manera: F de Fiesta de apertura, I de Innovación, A de Audiencias y P de Premios.

Nuevas categorías: agrupadas en cuatro grandes grupos: F de Formatos, I de Innovación, A de Anuncios y P de Producción

Nueva manera de premiar: un desafío que valoriza aún más al premio más tradicional de Iberoamérica.

Nuevos contenidos: rondas de negocios y de inversión entre emprendedores e inversores, y propuestas de innovación, se sumarán a presentaciones de figuras de las diferentes áreas de la comunicación, la tecnología, el arte y el entretenimiento.

Nuevos trofeos: con un diseño diferente que plantea el reto de armar la palabra FIAP.

Nuevo apoyo: desarrollado en conjunto con la Dirección General de Industrias Creativas, con el auspicio del Ministerio de Modernización, Innovación y Tecnología de la Ciudad de Buenos Aires.

El Sol 2017: Lista de jurados de Estados Unidos

El Sol 2017 – Lista de jurados de Estados Unidos


Presidente de Jurados

Presidente de Innovación y Diseño: Rodrigo Butori, VP Director General Creativo de the community
Presidente de Producción: Sergio Alcocer, Director Creativo y Fundador de Rest of the World


Jurados

Campañas Integradas
Javier Campopiano, SVP, Director General Creativo de Saatchi & Saatchi New York

Innovación
Rodrigo Butori, VP Director General Creativo de the community

Relaciones Públicas
Iván Calle, Director Creativo Ejecutivo de Zubi Advertising

TV/Cine
Percy Bustos, Director Creativo de We Believers

Radio
Percy Bustos, Director Creativo de We Believers

Diarios y Revistas
Luciana Cani, SVP Directora Creativa Ejecutiva de Lápiz

Exterior
Luciana Cani, SVP Directora Creativa Ejecutiva de Lápiz

Digital
Diego Yurkievich, VP Director Creativo Ejecutivo de Conill

Móvil
Diego Yurkievich, VP Director Creativo Ejecutivo de Conill

Diseño
Rodrigo Butori, VP Director General Creativo de the community

Producción
Sergio Alcocer, Director Creativo y Fundador de Rest of the World


El Sol. El Festival Iberoamericano de la Comunicación Publicitaria celebrará su 32 edición en Bilbao el 1, 2 y 3 de junio de 2017. 

Advertising Age: The Agency Report 2017

Ad Age Datacenter produced Advertising Age's 73rd annual Agency Report. Ad Age published the complete Agency Report 2017 online May 1, 2017. Portions of Agency Report 2017 appeared in Ad Age's May 1, 2017, print edition.

Ad Age Datacenter subscribers have exclusive access to the complete report at:


Alma, Miami is ranked by Advertising Age as the number one Largest U.S. Hispanic-American Agencies, ranked by 2016 U.S. revenue.

Ad Age Datacenter subscribers have exclusive access to the Top 50 Largest U.S. Hispanic-American Agencies report at:


Published every year since 1945, the Agency Report is Advertising Age’s annual ranking and analysis of advertising and marketing-services agencies. The report also includes rankings based on U.S. and worldwide revenue. 

SE LANZÓ LA CONVOCATORIA PARA ELEGIR AL NUEVO PRESIDENTE DEL CÍRCULO CREATIVO DE ESTADOS UNIDOS

El Círculo Creativo abrió la convocatoria para elegir al nuevo Presidente del Círculo Creativo de Estados Unidos, en la cual sólo pueden participar socios del Círculo Creativo y que se realizará mediante una votación interna con la junta directiva en el mes de mayo.

Durante los dos últimos años, Gustavo Lauría fue presidente del Círculo Creativo, cargo que también ocupó del 2010 al 2012. Sin embargo, el mes pasado, Lauría fue elegido como nuevo Chairman al suceder a Luis Miguel Messianu.

El Círculo Creativo invita a todos sus miembros a que envíen sus propuestas para ser considerados como nuevo presidente.

Las propuestas deben de ser en video de no más de dos minutos de duración.

Las propuestas deben de ser enviadas a president@circulocreativo.org antes del 7 de mayo.

Durante el mes de mayo, el Círculo Creativo anunciará su nuevo presidente quien trabajará junto con Lauría por los próximos dos años.

Círculo Creativo kicks off #ThrowbackThursday Series in Dallas

Adlatina presenta los resultados de los rankings de Crema

Adlatina presenta los resultados de los rankings de Crema, que en los primeros días de marzo se recopilarán en la 14° edición del lujoso anuario. En esta oportunidad, AlmapBBDO continúa en la cima. El Top 5 está integrado por Lola MullenLowe, Alma DDB, David Buenos Aires y J. Walter Thompson Brasil. En esta edición se incluyen por primera vez los resultados de los Global, European y Latin American Effie Awards, y las versiones locales de este premio para el Top 10 de cada país. En la nota, el Top 30 regional y el primer puesto de todos los rankings locales.

Posición, Agencia, País, Cannes, Clio, Fiap, El Sol, One Show, D&AD, Wave, El Ojo, EFFIE Latam/European/Global, TOTAL:

3° AlmaDDB, Estados Unidos: 40; 17; 136; 34; 2; - ; 26; 72; - ; 2162
13º The Community, Estados Unidos: 10; 1; 70; 24; 16; 19; 60; 5; - ;  1377
17° We Believers, Estados Unidos: 28; 17; 8; 29; 1; - ; 42; 67; - ;  1301
 

TOP 1 por país

País, Agencia, Cannes, Clio, Fiap, El Sol, One Show, D&AD, Wave, El Ojo, EFFIE Latam/Europe/Global, Festival Local, Effie Local, Festival Local (2015)  TOTAL

ESTADOS UNIDOS: Alma: 40; 17; 136; 34; 2; - ; 26; 72; - ; 148; - ; 2319

 

Dieste presents 'at&t & DIRECTV: the unlimited effect'

INSIGHT

Ambiculturals value being “in-the-know” in all aspects of their lives with the belief that sharing their knowledge (of multiple cultures) empowers them to connect with others.
 
This means that staying connected to their entertainment is an essential part of their daily life. They crave and appreciate the freedom and flexibility to access their content when and where they want (especially on their mobile devices).


IDEA

Showcasing how having access to unlimited data and unlimited entertainment from AT&T and DIRECTV gives you an edge wherever you go.


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IMPACT

“The Unlimited Effect – Restaurant” is in the category of an addressable ad, which performed well within its key Ambicultural audience. The ad delivered a relevant and ownable message. It also achieved consideration and Better Brand opinions. In addition, this ad exhibited a solid performance within the GM target, meeting norms on key metrics.